Rothko Inspired Rainbows

Today’s Story Time read aloud was “The Rainbow Goblins” by Ul de Rico. This is a stunningly illustrated book that tells the story of the Valley of the Rainbows and the greedy goblins who want to steal all the beautiful colors.

Rainbows are magical and even the scientific explanation for their origin is the stuff of wonder. Light streaming through water molecules at just the right angle to bend light? Amazing. White light that actually carries the spectrum of colors? Incredible. Nature and science really are magic and so is art.

You can watch the read aloud video and see how I created the mini rainbows above at Sea of Visibility on FB.

Rothko was an abstract artist who expressed emotions with color. he also tried to make viewers feel certain emotions only using color.

When I was playing with lipstick, eye shadow and nail polish to blend and combine colors, I was reminded of Mark Rothko’s abstract color paintings. Just trying out different color combinations and blending the different pigments together made me happy. I thought I knew what result I would get but was pleasantly surprised every time.

Here are two great sites to visit to learn more about the artist Mark Rothko and to make your own rainbow experiments.

Rainbow Science and Who is Mark Rothko?

Here are some more mini rainbows I made today. How do they make you feel?

Thanks so much for visiting.

Keep creating!

Patty

Drawing with Glue

You can watch the step by step video for this project at Art Out of Anything on FB and Instagram. New projects posted every week on Tuesday and Thursday!

Today’s project is an old favorite, with a new twist. In keeping with our motto of “work with what you have”, drawing with glue just got a little interesting.

Supplies –

white glue
paper – construction paper, card stock, cardboard or all of these
sand
glitter

Sand and glitter will be used as your pigments (colors). No sand? No glitter? You’ve got great powdered pigments right in your kitchen cabinets!

I used the following:

salt
sugar
pepper
condiments like onion powder, paprika, nutmeg, cinnamon, dry mustard, ground or instant coffee etc.

cups with powder pigment 2 — I put my powdered pigments into little plastic shot glasses, but you can use yours straight from the original containers too.

A great addition to this project is to have some music playing and “draw” to the music. Music and art are very good companions. It’s interesting to see how different kinds of music can inspire you and your kiddo to create.

You can start drawing a free hand design by letting the glue flow and drip from the bottle.

If you want to get a steadier line, place the tip of the glue bottle at an angle on the paper and use it like a pencil to draw.

Tap the container to control how much powdered pigment is added to the drawing.

You can use only one color at a a time for each drawing or you can use a variety of colors to get lines that fade into eachother. That’s my favorite technique.

Multi color on white paper

Give the glue a little time to dry so it doesn’t drip when you pour off the extra colors. Remember, the thicker the line the longer it will take to dry.

Once your piece is complete, be sure to save the excess pigment. Now you’ll have what I like to call, the very special Pre K Rainbow color mix that you can use for more projects 🙂

I’ve gotten a little fancy with my paper here and will use my Pre K Rainbow color mix as my pigment.

As you can see, there are so many different ways you can experiment with pigments and one of the most interesting results, is that you end up with a pretty fragrant work of art. See if you can find condiments that work well together in terms of their scents. Nutmeg, cinnamon and sugar might just inspire you to make a glue drawing of cupcakes or a pumpkin pie!

Resources and Project Extension – When I do this project in an Art Out of Anything workshop, I always start by introducing a popular art from from India called Rangoli. Here’s a link to the history of this beautiful art form, the traditional process and free templates to download to try your own – https://www.dltk-kids.com/world/india/mrangoli.htm

Once all of your amazing artwork is completely dry, shake off any excess pigment and if needed, carefully brush off any left over pigment with a soft paintbrush or tissue.

One last thing, no white glue? No problem, glue sticks work just fine too.

glue stick fish 13 — Glue sticks dry much faster than liquid glue so you have to work a little faster, this would be a good time to play some peppy music!

Thanks so much for visiting.

Keep creating,

Patty

Collagraphy and The Scientific Method

Hey all!

Today we are using the scientific method to determine which style of collagraph works best for printing.

A collagraph (sometimes spelled collograph) is a method of printmaking that involves adhering materials to a board or sturdy surface to build up a printing surface.

I decided to use the scientific method to explore different materials and printing pigments.

Observation – I have observed, by doing, that you can make prints (copies) of designs by using many different materials.
Questions – Can I make prints from cardboard, hot glue and foam sheets? Which pigment will make the best print; an ink pad, acrylic paint or lipstick?
Hypothesis – which combination of these materials will give me the most successful print?
Prediction – I think the hot glue will give me the cleanest print while the foam sheet will give me the best print all around. I think the cardboard will not give me a clear print. I also think the lipstick will give me the best color of all.
Test the prediction – I chose collagraphy as the printing technique to test my predication because I can use materials I have on hand.

TEST – you can watch the entire video of the process at https://www.facebook.com/artoutofanything/

Here’s a sneak peek of the process –

I used hot glue to create designs on a piece of cardboard. This does take a little practice as you have to make sure your design is raised and not flat. I also cut up a piece of adhesive backed foam sheet into an abstract design and adhered it to another piece of cardboard and then used cut up cardboard as another design. These will be my 3 printing plates.

Next, I experimented with 3 different pigments in the form of paint, lipstick and an ink pad. The amount of pigment placed on the printing plates is very important; too much and you get a gloppy, messy print, too little and you don’t get a clear print.

Here are the results. Which one do you think made the best print? Which print is clear, complete and clean? Was my hypothesis correct?

I used the ink pad on the cardboard plate

On the left plate I used lipstick. On the right plate I used acrylic paint

In my video, you can see some other techniques I tried while testing out my hypothesis!

You can also find some easy printmaking techniques in keeping with our motto “work with what you have”, at Tinkerlab.

Be sure to visit and follow me @artoutofanything on Instagram and FB.

Here’s the link again for the full length video – Collagraphs and The Scientific Method

Let’s see what other collagraphs you can come up with!

See you on Thursday and keep creating!

Thanks for visiting,

Patty